"But the point is that between what Ryle calls the "thin description" of what the rehearser (parodist, winker, twitcher . . .) is doing ("rapidly contracting his right eyelids") and the "thick description" of what he is doing ("practicing a burlesque of a friend faking a wink to deceive an innocent into thinking a conspiracy is in motion") lies the object of ethnography: a stratified hierarchy of meaningful structures in terms of which twitches, winks, fake-winks, parodies, rehearsals of parodies are produced, perceived, and interpreted, and without which they would not (not even the zero-form twitches, which, as a cultural category, are as much nonwinks as winks are nontwitches) in fact exist, no matter what anyone did or didn't do with his eyelids" (Clifford Geertz, "Thick Description: Toward an Interpretive Theory of Culture," in The Interpretation of Cultures: Selected Essays by Clifford Geertz), 7.
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